Dana O'Driscoll

Dana O’Driscoll has been an animist druid for 20 years, and currently serves as Grand Archdruid in the Ancient Order of Druids in America (www.aoda.org). She is a druid-grade member of the Order of Bards, Ovates, and Druids and is the OBOD’s 2018 Mount Haemus Scholar. She is the author of Sacred Actions: Living the Wheel of the Year through Earth-Centered Spiritual Practice (REDFeather, 2021), the Sacred Actions Journal (REDFeather, 2022), and Land Healing: Physical, Metaphysical, and Ritual Approaches for Healing the Earth (REDFeather, 2024). She is also the author/illustrator of the Tarot of Trees, Plant Spirit Oracle, and Treelore Oracle. Dana is an herbalist, certified permaculture designer, and permaculture teacher who teaches about reconnection, regeneration, and land healing through herbalism, wild food foraging, and sustainable living. In 2024, she co-founded the Pennsylvania School of Herbalism with her sister and fellow herbalist, Briel Beaty. Dana lives at a 5-acre homestead in rural western Pennsylvania with her partner and a host of feathered and furred friends. She writes at the Druids Garden blog and is on Instagram as @druidsgardenart. She also regularly writes for Plant Healer Quarterly and Spirituality and Health magazine.

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  1. Merry Meet fellow Druids ! My main Expression of the Awen impulse is to balance and arrange Stones in the Forest and especially in and next to streams and small rivers . During my Druid training ( Green Mtn. Druid Order ) I grew to learn that Intuition is something to be cultivated and Honored. Circumstances after my allotted period of training led to me being isolated from other Druids that I had trained with and met during that time . I was despondent for several months but filled with the desire to put my training to it’s best use .I took up the attitude of Trusting the Process with the fervent Hope of Revelation . I leapt out of bed one morning in August with the Inspiration to create a small Stone Circle with the Stones that were available on my property.I set about doing so and around 5 pm I was ready to place the last stone in the Cardinal Direction of North. It proved more difficult than the previous Stones to dig a deep enough hole to place it in and my energy was fading . Finally I wrestled the Stone to the hole and pushed it in standing it up in the same motion. When it plunked in I collapsed and vomited . I took that as a sign that I had ,in the completion of this Quest, let go of my previous life and my chosen path as a Druid was now ready to unfold in Glorious Purpose .By trusting the feeling of Kinship with Stones I found and strengthened my Connection to Nature in this manner. I have since applied the same attention to Vibration and Connection to elements of Nature animal/vegetable/mineral that I encounter on my rambles in the woods .Silent observation and reverence are key .I often employ Soft Eyes on the surrounding landscape and find it is a very effective way to connect to that spot .As I previously mentioned I also employ music from my Penny Whistle to introduce myself and pay Homage to Gaia where ever I walk .Singing is another way also …..Anyhoo ….Be Well …. AWEN

    1. Hello Donaltloog,
      Thanks for sharing your story! Creating a stone circle is no small undertaking! Here we built one over the course of the year using what I’d call “two person” stones. These are stones that need two people to lift and move…it was a glorious experience, but also with its share of challenges. I love your term “trusting your kinship”- that’s a great way of putting it. It sounds like you are bringing joy and connection wherever you go! Blessings to you and thank you for reading and commenting 🙂

  2. Thank you for this. I have been given small journals for years, but never used them. Also I am an artist with many different skills, but have been in a place for the last three years where all my tools and materials have been boxed up due to a move to another state. Recently, I have finally been able to set up a studio, but have not known what to do even where/how to start creating once again. So I have started ‘digging in the dirt’ by planting wildflowers, native shrubs and trees. Nature is such a healer and an inspiration. After reading this writing, I found a beautiful special journal my son gave me years ago and as I opened it up, a design for stained glass came to me. I have been a glass artist for over 35 years and have never seen or created a design like what I drew in my journal. I am awestruck and almost in tears that it is finally time to be back into this creative place. This is a wonderful gift to me…I am very grateful.

    1. Hi Sunnie, I love what you are sharing here! I’m so glad to hear that you are able to return to your creative practices. Wow, I’d love to see that stained glass piece when you are done with it!!!! Sometimes a pause in our practices, a fallow period, can create rich soil for new things to come forth. Just like the land where I live–the land goes fallow each winter and then in the spring, the growth and abundance returns!

  3. I’m a writer, in my “past life” I was an activist, also had a couple of books published. A gardener of magical herbs and flowers (and some veggies) until 2019 when I moved to my current home in NY state. I make natural perfumes and herbal goodies that I sell on Etsy. I’m not a Druid, though I have no doubt I have been in the past. I was born to the parents that helped me grow and thrive, and I grew up in the White Mtns. of NH. My father – his church was the woods. He taught me a lot and I had what would be now considered a feral childhood that was perfect for me. So for me, awen is and always was and always will be in every moment. I hope you know what I mean by that. I’m not talking about being a perfect human. But for me the practice that “works” to remind me of who I am, is making a choice to be present. I am grateful to still live in a beautiful place so I focus on that, on the birds and hummers and the flowers I’ve planted in large pots on my balcony (now that I no longer have a big garden). Often there are turkeys or deer or rabbits in the field, and hawks nesting in the trees at the edge of the field. I am fortunate and grateful. I feel, experience all species as . . . the word I’m liking is kin. I loved your last post about whimsy. That’s so much a part of it. I too am struggling to find ways of helping others to hear/feel/ experience awen, the connection, the mycelium networks that are not only in the ground, but within and without all, all the time. Once someone experiences/feels this relationship, this knowing, everything changes for them. This, I feel, is key to our survival. We (humans) are not alone, and we are not the only ones aware.

    1. Hi Susan,
      Yes! I totally know what you mean–its all about living an inspired life. Seeing inspiration and connection everywhere, recognizing that we are part of this beautiful planet and not separate from it. And that creates such inspiration! 🙂 Thank you for sharing and for reading!

  4. Awen. The nature of flowing sacred creativity, that inspiration and the act of making a thing as divine is probably the main thing that draws me to druidry and druid revival spiritualities

    As far as tools and methodologies for creating in nature and tapping into the Awen – I have to rely on my path as an artist vs. druid. And I can see why most of our current tools are just, “Go into nature and get inspired” because pinning down inspiration is infuriatingly hard!

    I set out to have my artist eyes on. To set my intent when I leave/arrive where I’m hiking and exploring. Lighting, colors, smells. I keep my sketchbook on me when I can, and do lots of little thumbnail sketching while I’m in the space. Doing lots of little small things, as opposed to carrying lots of materials or ritual items. Inspiration for me is the flash, the quick sketch, the impulse. I have to scribble it down and run back to the studio to do the crafting of the piece. And if I don’t get it out, I over think it to death and lose the magic.

    Maybe its good to learn what ‘inspiration’ feels like first. And have your chosen media (notebook, voice recorder, whatever) on hand.

    1. Hi Melissa,
      Yeah, I feel the same in terms of drawing on my artist side for knowing how to seek inspiration. Other than understanding the concept of Awen as a druid (as both creativity within myself but also the divine creative force in the world) the druid tradition also didn’t offer me much. That’s part of why I’m writing on this topic now–to try to help give more! I also carry a sketchbook and notebook with me everywhere so I can capture things in the moment! I agree with you–you do have to honor the Awen when it comes and get it out or it will die! I have inspiration that sometimes I don’t follow and its almost like that path just dries up…so better honor the Awen every chance I can!

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